Our monthly meetings are held at the Athenaeum, Boundary Terraces, off Campground Road, Newlands on the last Thursday of every month, excluding December. The meetings start at 7pm. Entry is R10 for members and R20 for non-members. Our library is open from 5.50pm to 6.50pm. Apart from interesting talks, demonstrations and competitions, we offer refreshments, coffee and tea afterwards, where artists can chat and share ideas with one another.
On Thursday 30 Jan we had our first members’ meeting for 2025. Our “guests” for the evening were the “Best of” winners from the last selection weekend. Each did a demo in their winning medium, giving us a little taste of their creative process. We had Beth Lowe, painting her beautiful “found objects from a beach” in watercolour; Solly Gutman, who demonstrated his scratchboard technique; Corma Launcher painting a landscape in oils; Lyn Menge creating a “wavescape” with mixed media and Libby Harrison using acrylics for her impression of a Swedish summer garden.
Our members had a chance to go from one to the next, to see how they work and to ask questions that needed answers. It was a lovely, relaxed evening, both informative and inspiring. It’s always good to pick up pointers which we can use to improve our own work.
Thanks to our “demonstrators” and to our council members for making it happen.
Our monthly meeting on Thursday evening, 31 October was very interesting. Internationally known impressionist artist Derric van Rensburg gave a demonstration on landscape painting. Derric was born 1952 in Cape Town.
Since his first exhibition in Cape Town in 1976, he has been commissioned by various clients including multinational corporate clients such as First National Bank, South African Airways, Price Waterhouse Coopers and Mobil. His work is internationally recognised and he has been rated as one of South Africa’s top artists. Van Rensburg’s career was celebrated in a coffee table book published in 2007 to coincide with the artist’s 55th birthday. Derric is self-taught and has developed a method that is both unique and mesmerising to watch. In less than an hour he carved a landscape out of a blank canvas.
Starting with a canvas washed in a neutral ground, Derric quickly sketched out a main concept and then started to work intuitively with a large brush to lay down the main blocks of colour that he saw in his reference. The reference is merely an idea, and is not followed strictly. Derric says he follows a method of working from general to specific. The next step was to start defining objects within the landscape such as a fence and some trees. He remained very loose in his approach, sometimes adding in a shadow before actually painting the object casting it, using thinks like solvents and tissue paper to create textures.
Highlights in the trees were achieved by applying yellow directly over the darker blues and purples that had already been laid down in the first steps of the process. For this he used a piece of cardboard instead of a brush. He also used a rubber squidgy to create clean edges and detail. In pursuit of creating dappled light effects, Derric tries to allow light and shadow to emerge intuitively, with great effect. Derric’s demonstration was a great lesson in loosening up when painting. Those of us who were there learned so much from this masterful painter.
We had the privilege of hosting Marc Alexander at our September monthly meeting. Marc [Fine Artist – Curator – Teacher based here in Cape Town] gave us a talk on navigating creativity regarding copyright, AI and Artistic Integrity. Marc is well versed in these matters.
Points of discussion:
Copyright infringement – what can and can’t be copyrighted.
Derivative artwork – imitative of the work of another arstist, writer, etc., and usually disapproved of for that reason.
Transformative artwork – causing a marked change i.e. a new expression or message or meaning.
Plagiarism – the practice of taking someone else’s work or ideas and passing them off as one’s own. Fair Use – permits a party to use a copyrighted work without the copyright owner’s permission for purposes such as criticism, comment, news reporting, teaching, scholarship, or research. Reproduction vs Forgery – He quoted both Pablo Picasso “Good artists copy, great artists steal”, and David Bowie “The only art I’ll ever study is stuff that I can steal from” and recommended the book “Steal Like an Artist: 10 Things Nobody Told You About Being Creative” by Austin Kleon.
You can read more in the September Newsletter.
We were very lucky to have two of our selection weekend judges – Philippa Duncan and Eunice Geustyn – with us on Thursday evening for the August SASA Members’ meeting at the Athenaeum. Philippa and Eunice gave a critique on the twenty, or so artworks presented to them. Their comments were very helpful, often pointing out flaws and mistakes we wouldn’t have been aware of, had they not been brought to our attention. This kind of positive criticism allows us to grow as artists, and make improvements in future works. We were all left with much food for thought. Thank you, judges, for a very informative evening and thanks as well, to our hard-working council members for organising it for us.
At our monthly meeting on Thursday 30 May we welcomed Hayden Proud as our guest speaker. Hayden is a patron of SASA as well as being an aficionado of the art world, especially South African art and specifically that of Irma Stern. She was captivated by the Islamic culture after a visit to Zanzibar. Hayden delivered a fascinating talk on Irma Stern’s paintings, with particular emphasis on her “Arab Priest”, for which he was charged with the important task of negotiating a “timeshare” agreement with Qatar’s Museum of Orientalists, earning himself a place in the South African Art History books.
Thank you, Hayden for your time, knowledge and expertise.
We had a wonderful evening with Donna McKellar at our April Members’ Meeting last Thursday. Donna gave us a very well prepared slide-show and talk, through which she shared her artistic process with us. She took us right from the beginning sketching and planning stages, to the background painting, to the foreground and adding of details to create the finished piece. She explained her use of colour, as well as the thinking that goes into the building of her beautiful, emotive artworks. Donna uses a combination of photographic reference, accumulated knowledge and imaginary elements to achieve the desired end result. Thank you Donna, for sharing with us, your time and your talent.
The SASA members’ meeting for March was amazing. Our guest was Harold Schub and his “rainbow of acrylic paints”. He told us how he began by manufacturing automotive paints, then branched out into student and artist quality acrylics. He started small from home, but together with his son, expanded to create a range of paints, primers, gesso, mediums and glazes. Our members were given a chance to experiment with his wonderful range of colours and received samples to take home with us. An altogether fun and informative evening. Thanks to all who made it happen….and of course to Harold Schub, for giving us your time.
We held our members’ meeting, as usual, on the last Thursday of the month, 29 February. This is also the meeting when we traditionally hold our AGM, as well as the annual drawing competition, so it was quite a busy evening.
Solly Gutman was MC for the serious business of the meeting. After Irene Oxley delivered the president’s address, we had the financial report from treasurer, Mike Forrester, welcomed new council members and said goodbye to the three who were stepping down. Thanks for all you’ve done for the society, Liz Pearson, Audrey Innes – both past presidents and long-standing council members – and Trish Robertson.
We had a new award this year – a medal designed by Dylan Lewis, in honour of Ryno Swart – for the winner of the sketchbook competition, which was won by Lyn Northam. She also received a lovely Deckle Edge hamper, presented by owner Peter Nel. 1st prize in the drawing competition went to brand new member, Liesel Trautman, Chris Reabow was second and Solly Gutman third. The winners all received Deckle Edge vouchers, presented by Ashley Ogilvy.
Well done to all the winners and huge thanks to our council members for their time and hard work.
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