The last of the SASA Winter workshops for 2018 took place on Saturday 8 September at the Peter Clarke Art Centre in Newlands.
Maré Bruwer shared her knowledge and experience of the technique with us, as she took us through the delicate steps of the silk painting process, from the actual painting, where many “happy accidents” could – and did – happen, to the washing, ironing and finishing off of the final piece.
It was a wonderful workshop and totally different from anything else we’ve done, really taking us all out of our collective comfort zone and forcing us to explore and experiment with a brand new medium, where the inks didn’t behave as we expected them to.
A group of rather exhausted, yet very happy artists headed for home at the end of the day. Thank you Maré for a great workshop and thanks, Irene Oxley, for arranging it all.
On Saturday 8 September, Maré Bruwer will be giving a Silk Painting workshop at the Peter Clarke Art Centre in Newlands. For more details see this month’s news letter. If you’re interested in attending, email Liz Pearson at firstname.lastname@example.org
On Saturday 21 July we had a full studio at the Peter Clarke Art Centre, when Tony Durrheim shared his secrets with us in a one day workshop.
Mainly self-taught, Tony discovered a passion for painting in 2000, when he attended a painting demo, after leaving the police force. We were regaled with tales of his life in and leaving of “the force”, keeping us well entertained throughout the day.
Tony’s love of the sea grew from his experiences as a young surfer in the 70s and shows in the mood and movement of his many seascapes, for which he is most well known.
The workshop was very fast paced – we completed a seascape in oil and acrylic in just over three hours – exhilarating for some, nerve-wracking for others – as Tony gave us all sorts of tips and “cheats” that he uses to enhance the watery effects in his work.
Tony’s advice to would-be artists “….you’ve got to have your own studio and you’ve got to paint every day…..the more you paint, the easier it becomes.”
Tony Durrheim, expert in painting water in all its forms, will be giving a workshop at the Peter Clarke Art Centre in Newlands on 21 July, using acrylics and oils. For more info, please see the June SASA newsletter.
The first of the SASA Winter Workshops for 2018 took place at the Peter Clarke Art Centre on Saturday May 26.
Gabriella Kaplan introduced us to a whole new world of mixed media and a whole new way of looking at art. She encouraged us to use and experiment with the most amazing array of materials, to – in her own words – “Explore with curiosity; Be open to the unexpected; Reconnect with yourself; See with new eyes; Still the judges within; Trust the process; Rediscover intuitive responses; Unblock the creativity within”
Gabriella gently guided us through the process, allowing each new step to emerge naturally, bringing out the best in all of us.
The morning was about self exploration – where you are and where you have come from – and culminated in each person’s presentation of “self” in a painting and in words.
A very relaxing and non-judgemental workshop. Many thanks to Gabriella for presenting it and to Irene Oxley for organising it.
On Saturday 26 May, contemporary artist, Gabriella Kaplan, will be giving a workshop using a multitude of mixed media. The workshop will be held at the Peter Clarke (formerly Frank Joubert) Art Centre. Please see the SASA newsletter for more details.
On Friday March 23, we met at the False Bay Yacht Club in Simon’s Town for a morning of plein air sketching and painting.
It was a beautifully sunny, windless day – perfect for our needs, though rather disappointing for the sailors, whose yachts stayed in the harbour.
The yachts on their moorings and the Navy vessels alongside provided wonderful subject matter for some of us, while others turned to the picturesque town itself, with the spectacular backdrop of the hills behind.
The sounds of the harbour, both man-made and natural, added a peaceful backing track to the tranquil scene, which had us working hard till mid-day, when we stopped for lunch at the club restaurant.
Many thanks to the management and staff of the yacht club, who made us so welcome, allowing us access to their facilities and to their beautiful setting. Thanks as well, to Johan Pieterse, for organising it all.
On Tuesday 13 March, the group of SASA members who attended were privileged to have Hayden Proud, curator of the exhibition, showing us around “Assessing Abstraction” at the National Gallery.
He gave us the benefit of his vast knowledge of the history of art and especially pertaining to this particular exhibition. We were shown new ways of looking at abstraction and given a certain understanding, which allowed us to see what we might, without his guidance, otherwise have missed.
We learned that abstraction began, not in modern Europe – it’s usually accepted birthplace – but in the more ancient cultures of Africa, Australia and America, where the native people have always used non-representational mark-making in many different forms.
We were shown how abstract canvases became free from the square and abstract art, free from the canvas. Colour is often used just for colour’s sake, for the enjoyment and interpretation of both artist and viewer.
A wonderful morning. Thanks to Hayden Proud, for your time and knowledge and to Lynne Menge, for arranging it for us.
If you haven’t yet been, you really need to get there. A visit to the Zeitz MOCAA is an inspirational experience – and free for SA citizens on Wednesday mornings, so don’t forget your ID.
The whole building is a sculpture in itself, from the enormous jewel-like windows on the outside, to the amazing forms and spaces carved out of the inside of the 100 year old grain silo. It must have been an extraordinary mind that envisioned this remarkable project.
The multi story, central atrium of the museum, from which the different gallery spaces lead, gives the feeling of a cathedral, with its high arches forming breathtaking shapes and shadows. Enough to keep you enthralled for hours before you even set eyes on the work on display.
The exhibitions extend over nine floors, in separate gallery spaces, including a rooftop sculpture garden, with a diverse selection of artworks and installations. You’d need a week to take in everything properly, but our members split into small groups and wandered through the rooms, absorbing as much as they could, in the time they had.
Thanks Lynne Menge, for organising this very exciting outing for us.