At the SASA monthly members’ meeting, on 31 January, we will be treated to a demo by five of the prize winners from last year’s annual selection weekend, who, together with two of our “fellows”, will be showing us some of their winning techniques. A meeting not to be missed! See the January newsletter for details.
The SASA end of year function was held last night – Thursday 29 November – at the Athenaeum. As is our tradition, the “Eleanor Palmer Competition” was the highlight of the evening. This is the one “in-house” competition where there are not too many constraints regarding your entry – one original piece per member, any subject, any medium – and we had some truly beautiful entries to choose from.
Our members strolled around the hall, plateful of snacks in one hand and glass in the other, studying the paintings and making their choices. While the votes were being tallied, we were kept amused by the wonderful art quiz, compiled by Christine Cherry-Jones, which not only taxed our brains and history of art knowledge, but also provoked much hilarity. Thanks Christine, for your hard work in putting it all together.
The winners of the competition were: first – Marcelle Lyons, for her painting “Newlands Forest Winter”, second – Laura Wenman, with “Always Remembered” and in third place – Chantelle Van Zyl, with “Beach Buddy” Well done you three!
Though bordering on chaos at times, it was a wonderfully festive and light-hearted evening, with plenty of wine and a great spread of snacks – thanks everyone who contributed a plateful, it was really enjoyed and appreciated.
A very Happy Christmas to those who celebrate it and happy everything else to those who don’t.
Have a wonderful holiday and we’ll see you in the new year.
On Thursday 29 November, at the last members’ meeting for 2018 we will, as is traditional, be holding the Eleanor Palmer competition and end of year function. We hope to see you all there. See latest newsletter for details.
Sonja Frenz, well known for her charcoal and pastel wooded landscapes, did a wonderful demo for us at the October SASA members’ meeting on Thursday the 25th of October.
Using charcoal powder and black and white pastels in all their shapes and forms, Sonja showed us how her unique technique can be adapted to suit other subject matter – for this demo, portraiture in particular.
The hall at the Athenaeum was packed that evening and everyone enjoyed themselves immensely, watching enthralled, as the beautiful portrait emerged.
Sonja kept us all entertained with her down to earth commentary and gave us a lot of tips and helpful hints to make the materials work successfully.
This is a wonderful new take on working with pastel and charcoal and we all went home inspired and ready to experiment.
On Thursday 25 October, Sonja Frenz will be giving us a demo in charcoal. She will show us how she adapts her unique technique, used in her beautiful black and white wooded scenes, to portraits. Please see the latest SASA newsletter for details.
On Thursday 27 September, we once again gathered at the Athenaeum for the SASA members’ meeting and we were in for a treat!
Master sculptor, Harry Johnson was there with his special wax and his special talents to demonstrate his amazing sculpture technique. During the course of the evening he told us a bit about his history and a lot about the wax and the method he uses to create his pieces.
Starting with a vaguely cat-shaped clump, with a few additions and removals of chunks of the wonderfully soft, grey wax, we saw a cheetah materialise before our eyes.
A portrait of a strong young woman was transformed into a dejected figure, using a slight rearrangement of arms and tilt of the head, showing how feelings and perceptions can be altered by mere gesture.
To demonstrate how easy it is to correct mistakes, or change proportions when using wax, to the horrified gasps of his audience, Harry sliced the nose off a sculpted face, pared away a layer and stuck it back on again…..or poked a stick up it’s nostrils to make it “breathe”.
Harry’s work is internationally recognised and admired, in ten years he has created more sculptures than any other South African artist has in a lifetime, yet he still made time to spend with us. Thank you Harry, for a truly fascinating evening.
At the SASA September members’ meeting, we have great pleasure in welcoming as our guest, Harry Johnson, master sculptor. He will be demonstrating his exciting sculpture technique. Get there if you possibly can!
The SASA members’ meeting for August was held on Thursday the 30th at our usual venue, the Athenaeum in Newlands.
We were fortunate to have two of our selection day judges – Liesl Hartmann, head of education at Zeitz MOCCA and Virginia MacKenny, Associate Professor of painting at Michaelis School of Art – on hand, to give a critique on some of the work that didn’t make the cut for the Annual exhibition.
It was a relatively small group of members who attended the meeting, but those who were there were richly rewarded. Because there weren’t so very many paintings to look at, our judges were able to spend more time on each work presented and give a more in-depth assessment.
The criticism was constructive and very useful – pertinent to all those present, not just the artist whose artwork was being discussed – and much note-taking was done throughout the evening.
The thought-provoking comments and suggestions generated many a “light-bulb moment” causing us to re-think the way we looked at the work in front of us as well as our own and everyone went home with a head full of ideas for improvement.
Thank you Virginia and Liesl, for an exceptionally enlightening and entertaining evening.
Last night – Thursday 26 July – was this month’s SASA members’ meeting, which is traditionally combined with the annual Landscape, Life and Still-life competition.
We had a lovely selection of entries to choose from, which made voting rather difficult, but choices had to be made.
While the votes were being tallied, Lyn Northam and Wyn Rossouw gave a critique of the work submitted and a marvelous job they did too! Thank you Lyn and Wyn – not an easy assignment, but one you are both most qualified to fulfill. I’m sure all who attended got a lot of tips for improving their work.
These completed sketch-packs will then be exhibited in the window of Artsauce for the month of October. I hope you all got yours?
The gift vouchers given to the three winners in each category for the evening were also donated by Artsauce. In addition to a voucher, each winner also received a quality canvas, kindly donated by Winsen’s Canvas. We had some very happy winners, taking home these lovely prizes.
….and the winners were…..In the Landscape Category – first was Beth Lowe with her oil painting of “Noordhoek Beach”, second was Craig Paton-Ash, with his drawing of “Muizenberg” and third, Grazyna Janik, with a painting of “Hout Bay Harbour”.
In the Life category – first Penny Steynor’s pastel portrait of her “Old Friend”, second was Tressan Verramunder with his watercolour “No Smile” and in third place, Jinty De Villiers with her sketch – “Finishing Touches”.
In the Still-life category – first Penny Steynor with her watercolour “Class Project” and in joint second place, Grazyna Janik with her oil “My Winter Crop” and Margaret Munro’s watercolour “Tulips”.
Well done to all our prize-winners – all wonderful work and well-deserved winnings.
On Thursday evening, the 28th of June, Angela Zehnder joined us at the Athenaeum to tell us a bit about her role in the conservation and restoration of paintings at the South African National Gallery.
Angela gave a talk, illustrated by slides, giving us a glimpse into the fascinating world of art restoration. We were shown how the use of X-rays and infra-red light exposes layers beneath the painted surface, telling tales of previous concepts and compositions toyed with by the artist, before settling on the image we see.
Or perhaps an incongruous support, like the lid of a biscuit tin we see under the painting in one of Angela’s slides.
Angela stressed the importance of correct display and storage of a painting – such as keeping humidity levels controlled and light gentle – to prevent deterioration. She also touched on methods of repairing damage to works not stored correctly and removing layers of discoloured varnish to reveal the original freshness of the paint beneath.
Her subject is vast – too much to cover in one sitting – but we were given a taste of what is involved. Thank you Angela, for an interesting evening.